Um Imparcial View of entertainment
Um Imparcial View of entertainment
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Contra dancers at a ball in New Hampshire, United States (silent video) The many forms of dance provide entertainment for all age groups and cultures. Dance can be serious in tone, such as when it is used to express a culture's history or important stories; it may be provocative; or it may put in the service of comedy.
Phillips shares why he chose her for the role, singing on set — and using the film to pose the question: “What is entertainment?”
Some of the most powerful and long-lasting stories are the foundation stories, also called origin or creation myths such as the Dreamtime myths of the Australian aborigines, the Mesopotamian Epic of Gilgamesh,[98] or the Hawaiian stories of the origin of the world.
Amid a starry cast, Edgar-Jones especially gives a "beautifully understated" turn as a woman struggling with same-sex attraction – but there's too much plot for the film's own good.
A full house at the Metropolitan Opera in New York City, waiting for a musical entertainment to begin (1937) Music is a supporting component of many kinds of entertainment and most kinds of performance.
The past gives us pleasure and is of more service than the present; but the delight of what we once felt is dimly lost never to return and its memory is as distressing as the events themselves were then delectable ... But when we happen to put our thoughts in writing, how easily, later on, does our mind race through an infinity of events, incessantly alive, so that a long time afterwards when we take up those written pages we can return to the same place and to the same disposition in which we once found ourselves. quote from and commentary by Fischer (2003)[75]
Kidman says being a producer allows her to 'control my destiny' as murder mystery hits the small screen
Changes to what is regarded as entertainment can occur in response to cultural or historical shifts. Hunting wild animals, for example, was introduced into the Roman Empire from Carthage and became a popular public entertainment and spectacle, supporting an international trade in wild animals.[21]
The wide variety of musical performances, whether or not they are artificially amplified, all provide entertainment irrespective of whether the performance is from soloists, choral or orchestral groups, or ensemble. Live performances use specialised venues, which might be small or large; indoors or outdoors; free or expensive.[67] The audiences have different expectations of the performers as well as of their own role in the performance.
They watched as "lions and bears danced to the music of pipes and cymbals; horses were trained to kneel, bow, dance and prance ... acrobats turning handsprings over wild lions and vaulting over wild leopards." There were "violent confrontations with wild beasts" and "performances over time became more brutal and bloodier".[138]
Psychologists say the function of media entertainment is "the attainment of gratification".[6] Pelo other results or measurable benefits are usually expected from it (except perhaps the final score in a sporting entertainment). This is in contrast to education (which is designed with the purpose of developing understanding or helping people to learn) and marketing (which aims to encourage people to purchase commercial products).
Both stories and information have been passed on through the tradition of orality and oral traditions survive in the form of performance poetry for example. However, they have drastically declined. "Once literacy had arrived in strength, there was pelo return to the oral prerogative."[77] The advent of printing, the reduction in costs of books and an increasing literacy all served to enhance the mass appeal of reading. Furthermore, as fonts were standardised and texts became clearer, "reading ceased being a painful process of decipherment and became an act of pure pleasure".[78] By the 16th century in Europe, the appeal of reading for entertainment was well established.
Nicolas Cage says he channeled his mother to play the part of the titular occultist serial killer in “Longlegs.” The 60-year-old actor and producer spoke with AP entertainment journalist Krysta Fauria about getting more personal with his performances, working with director Osgood Perkins and why he’s always loved acting in horror films.
Since dance is often "associated with the female body and women's experiences",[123] female dancers, who dance to entertain, have in some cases been regarded as distinct from "decent" women because they "use their bodies to make a living instead of hiding them as much as possible".[131] Society's attitudes to female dancers 九游娱乐投注网 depend on the culture, its history and the entertainment industry itself.